Click here to read inRegister Magazine’s feature on Eugene Martin: The Creative Act, now on view until October 2, 2022.
Read More
Blurring Boundaries is on view at LSU Museum of Art July 14–October 23, 2022
Blurring Boundaries is on view at LSU Museum of Art July 14–October 23, 2022. Click to read the full press release and learn about upcoming programs.
Read MoreNedra Davis Hains promoted to Deputy Director of the LSU Museum of Art
Nedra Davis Hains promoted to Deputy Director of the LSU Museum of Art. Read more in this press release.
Read MoreLSU Museum of Art appoints new Senior Curator and Director of Programming, Michelle Schulte
LSU Museum of Art appoints new Senior Curator and Director of Programming, Michelle Schulte. Read this press release to learn more.
Read More
Installation view of State of the Art: Record at the LSU Museum of Art.
LSU Reveille features "State of the Art: Record"
LSU Museum of Art's loan exhibition 'State of the Art: Record' delivers a multi-sense experience. Read this feature by the LSU Reveille.
Read More
inRegister: Vincent Darré has designed for Yves Saint Laurent, Fendi and, now, the LSU Museum of Art
Read this feature by inRegister Magazine about Vincent Darré’s visit to the museum. Darré has designed for Yves Saint Laurent, Fendi and, now, the LSU Museum of Art. Click here to read.
Read More
Country Roads Magazine reviews State of the Art: Record
Country Roads Magazine reviews State of the Art: Record (On exhibit at the LSU Museum of Art from March 10–June 19, 2022). Click here to read.
Read MoreMAKE A COLLAGE: Create from Within
in Exhibition, Education
Visit Eugene Martin: The Creative Act at LSU MOA (April 7–October 2, 2022) and create your own inspired collage at home using these activity steps!
Read More
IMAGE: Detail of Candice Lin, La Charada China (Tobacco Version), 2019
Burnaway: Candice Lin at LSU Museum of Art, Baton Rouge
Burnaway features Candice Lin: The Agnotology of Tigers in this article. Click here to read.
Read More
IMAGE: Carla Edwards, Bonfire, 2017, American flags, bleach, nylon dye, 124 × 112 in., Crystal Bridges Museum of American Art, Bentonville, Arkansas, 2020.20
225 Magazine: High-profile contemporary exhibit opens March 10 at LSU MOA
225 Magazine covers State of the Art: Record exhibition at LSU Museum of Art. Click here to read.
Read More
IMAGE: Mark Messersmith (American, b. 1955), Summer 2010, 2010, mixed media on canvas with predella boxes and carved wood, Gift of the Artist, L2021.12a,b
Closer Look: Mark Messersmith's Summer 2010
in Exhibition
Now on view in LSU MOA’s Art in Louisiana: Views into the Collection landscape gallery is Mark Messersmith’s Summer 2010, a sculptural painting based on the Deepwater Horizon oil spill in 2010. Learn more about this work’s symbolic imagery in this closer look blog post by LSU MOA Graduate Assistant Kirsten Campbell.
Read More
Ocula Magazine features Candice Lin: The Agnotology of Tigers
Read this interview by Ocula to learn more about Candice Lin's artistic practice and exhibitions including The Agnotology of Tigers now on view at LSU MOA until March 20, 2022.
Read MoreObject Guide for Candice Lin: The Agnotology of Tigers
in Exhibition
Learn about the objects in Candice Lin's La Charada China (Tobacco Version) installation and the history of these objects and their relationship to indentured Chinese laborers and how they reveal long forgotten (or suppressed) aspects of global trade.
Read More
225 Magazine: Visiting artist's work at LSU Museum of art grapples with history
225 Magazine covers Candice Lin: The Agnotology of Tigers at LSU Museum of Art. Click here to read.
Read More
NOW ON VIEW (pictured here in LSU MOA’s Art in Louisiana: Views into the Collection Intro Gallery): Mary Lee Bendolph (American, b. 1935), Untitled (Strip Quilt), 2009, cotton, corduroy, velvet, Purchased with funds from the Reilly Initiative for Underrepresented Artists, LSUMOA 2021.10
Closer Look: Strip Quilt by Mary Lee Bendolph
in Exhibition
LSU Museum of Art recently acquired a quilt by Mary Lee Bendolph, one of the foremost strip quilters associated with Gee’s Bend, Alabama. Bendolph’s striking compositions reject traditional methods of symmetry and uniformity, instead embracing abstraction through the improvisational use of geometry. Learn more about it in this closer look by LSU MOA Graduate Assistant Kirsten Campbell and view it today in our Art in Louisiana Intro Gallery!
Read More