Country Roads' Erin Rolfs takes a closer look at the work of Martin Payton. (Photo by Lucie Monk Carter)
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Country Roads' Erin Rolfs takes a closer look at the work of Martin Payton. (Photo by Lucie Monk Carter)
Read MoreThe Daily Reveille's Katie Gagliano goes inside the experiential learning opportunity for LSU art history students in conjunction with Bonjour | Au Revoir Surréalisme.
Read MoreThe Daily Reveille's Katie Gagliano takes a look at Line 4 Line and the Neighborhood Arts Project. Click here to read the article.
Read MoreWe asked two LSU School of Art students, Eli Casiano and John Alleyne, to visit the exhibition Reflections: African American Life from the Myrna Colley-Lee Collection and create their own piece inspired by the work on display.
Read MoreAfrican American artists in the early to mid-19th century were often concerned with the question of how African Americans should be represented in artwork.
Read MoreThe Daily Reveille's Katie Gagliano explores Reflections: African American Life from the Myrna Colley-Lee Collection. Click here to read the article.
Read MoreIn preparation for LSU MOA’s upcoming exhibition of Martin Payton’s sculpture, curator Courtney Taylor sat down with Martin Payton to discuss his life, his experiences, and his art.
Read More225's Benjamin Leger talks with curator Courtney Taylor about Romare Bearden's collages on display in the Reflections: African American Life from the Myrna Colley-Lee exhibition.
Read MoreThe hairs on the back of my neck stood on end when I learned that Julie Heffernan’s LSU Museum of Art exhibit would be titled When the Water Rises.
Read MoreWAFB's Donna Britt talks to Forward Arts' Donney Rose in advance of their Third Thursday performance in conjunction with the Reflections exhibition.
Read MoreWe're kicking off the school year at LSU MOA with a new Education Curator, Rebecca Franzella. Learn a little about her below, and give her a warm welcome as she prepares to teach your young artists.
Read MoreThe work of artists and photographers such as James Van Der Zee allowed the black middle class of Harlem to create new cultural stereotypes and record their history for future generations; they were stylish, educated, and everything else imaginable.
Read MoreinRegister's Kelli Bozeman gets insight from curator Courtney Taylor on Reflections: African American Life from the Myrna Colley-Lee Collection.
Read MoreWe reinstalled our permanent collection a little over a year ago. Since then, we’ve been listening to feedback from visitors about what artwork they want to see and the stories they think the art should tell.
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