The Advocate's Robin Miller on Confluence by Jerry Uelsmann.
Read MoreThe Advocate: To photographer Jerry Uelsmann, 'things needed moving around' →
Exhibition
Inspired by Carrie Mae Weems
in Exhibition
Artists and recent LSU alums Justin Tyler Bryant and Christopher Burns set out to create a body of images as a shared response to Carrie Mae Weems' exhibition, Carrie Mae Weems: The Usual Suspects, at the LSU Museum of Art.
Read MoreinRegister: On exhibit: Angela Gregory at LSU Museum of Art →
inRegister's Kelli Bozeman gets a preview of what to expect in the Collection Spotlight: Angela Gregory exhibition.
Read MoreInspired by Robert Williams: Jonathan Mayers
in Exhibition
We asked a few Baton Rouge-based artists to share the impact Robert Williams has had on the work they produce today.
Read MoreA closer look at Robert Williams: Slang Aesthetics with the LSU MOA staff
in Exhibition
There are tons of details to examine in the pop surrealist work on display in Robert Williams: Slang Aesthetics. Stop by before the exhibition closes on June 17 and share your favorites by tagging LSU MOA on Facebook, Twitter and Instagram.
Read MoreInspired by Robert Williams: Kelsey Livingston
in Exhibition
We asked a few Baton Rouge-based artists to share the impact Robert Williams has had on the work they produce today.
Read MorePelican Bomb: Unsophisticated: Robert Williams at the LSU Museum of Art →
Pelican Bomb's Dillon Raborn on Robert Williams: Slang Aesthetics.
Read MoreThe Advocate: Carrie Mae Weems challenges systematic violence against black men in "The Usual Suspects" at the LSU Museum of Art →
The Advocate's Robin Miller on Carrie Mae Weems: The Usual Suspects.
Read More225: New visions meets blurred visions with Carrie Mae Weems’ works at LSU Museum of Art →
225's Benjamin Leger sits down with curator Courtney Taylor to discuss Carrie Mae Weems: The Usual Suspects and the work of Weems on display in Art in Louisiana.
Read MoreThe Advocate: 'Godfather' of lowbrow, pop surrealist art ignited a movement that's still popular →
The Advocate's Robin Miller takes a look at Robert Williams: Slang Aesthetics.
Read MoreDorothea Tanning and Georges Visat’s 'Personne'
in Exhibition
Dorothea Tanning’s Personne (Nobody) has proven to be one of the most popular pieces included in LSU Museum of Art’s exhibition Bonjour | Au Revoir Surréalisme. The book contains nine etchings each cut into three horizontal flaps that allow the head, torso, and trunk of a body to be recombined into a total of 729 figures—729 exquisite corpse figures.
Read MoreMuseum education collaboration with Martin Payton
in Exhibition, Education
We interviewed Education Curator, Rebecca Franzella, about her educational projects related to Martin Payton's exhibition Broken Time: Sculpture by Martin Payton.
Read MoreFrom the galleries to the classroom
in Education, Exhibition
Since LSU Museum of Art is a university museum, one outcome I hope for most when organizing an exhibition is for students to deeply connect with work, and find relevance to their studies. This fall, the stars aligned with Broken Time, an exhibition of Martin Payton’s welded steel sculptures, and two classes led by LSU art professor Malcolm McClay.
Read MoreA closer look at Martin Payton's installation piece
in Exhibition
One of the newest pieces in the Broken Time exhibition is Martin Payton's untitled installation. Learn how it was created, how we got it to the museum, and what it means.
Read MoreLPB's Art Rocks: Episode 513 with Martin Payton →
LPB's Art Rocks visits with Martin Payton to discuss his work and process, and what inspires him.
Read More