Burnaway features Candice Lin: The Agnotology of Tigers in this article. Click here to read.
Read MoreIMAGE: Detail of Candice Lin, La Charada China (Tobacco Version), 2019
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Ocula Magazine features Candice Lin: The Agnotology of Tigers
Read this interview by Ocula to learn more about Candice Lin's artistic practice and exhibitions including The Agnotology of Tigers now on view at LSU MOA until March 20, 2022.
Read MoreObject Guide for Candice Lin: The Agnotology of Tigers
in Exhibition
Learn about the objects in Candice Lin's La Charada China (Tobacco Version) installation and the history of these objects and their relationship to indentured Chinese laborers and how they reveal long forgotten (or suppressed) aspects of global trade.
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225 Magazine: Visiting artist's work at LSU Museum of art grapples with history
225 Magazine covers Candice Lin: The Agnotology of Tigers at LSU Museum of Art. Click here to read.
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Candice Lin, La Charada China (Tobacco Version), 2019, cement with casein paint, welded steel table frame, tobacco, ceramics, distillation system (distilling a tincture of tobacco, sugar, tea, and poppy), poppy pod putty, sugarcane, white sugar, cacao, sage, ackee, oak gall, Anadenanthera, dong quai, California clay, Dominican Republic clay, metal parts, bucket, pumps, tubing, dried indigo, glass slides, bottles, drawings, tile, rubber, wood, Courtesy of the Artist and François Ghebaly Gallery, Photography by Ian Byer-Gamber
Candice Lin: The Agnotology of Tigers Opening October 20
Candice Lin: The Agnotology of Tigers opens October 20, 2021 / This year's collaboration with the LSU School of Art features visiting artist Candice Lin. Her exhibition, The Agnotology of Tigers, will feature recent works based on archival images from LSU (Chinese Bandits) alongside a new configuration the installation La Charada China. Lin’s installation illuminates’ histories of social violence and a politics of forgetting that obscures the history of indentured Chinese labor and lingering stereotypes.
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